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''INT. – TELEVISION STUDIO – DAY''
'''SUPERNATURAL''' (Title Card)
== ACT ONE ==
''INT. – TELEVISION STUDIO – DAY''
DICK ROMAN opens the briefcase and takes out [[The Word Of of God]]. SUSAN smiles slightly and turns away.
''INT. – OFFICE – DAY''
''EXT. – RUFUS’ CABIN – DAY''
''INT. – RUFUS’ CABIN – DAY''
''INT. – OFFICE – DAY''
''INT. – RUFUS’ CABIN – DAY''
CROWLEY<br />
So, that's what all the "rumble, rumble" was about.Who translated it for you?
DEAN<br />
''EXT. – HOOPLE GAS N’ SIP – DAY''
''INT. – HOOPLE GAS N’ SIP – DAY''
SAM<br />
I hate to break it to you, but corn syrup <i>is</i> natural, technically.
Well, then what the hell are we supposed to eat?
SAM holds up a basket containing bananas and bottled water.
''EXT. – LARGE HOUSE – NIGHT''
''INT. – LARGE HOUSE – NIGHT''
DEAN leans over to look at one of the bodies, which has pointed teeth and is badly burned around the mouth and neck. The next body is also badly burned in the lower half of its face.
== ACT TWO ==
''INT. – LARGE HOUSE – NIGHT''
== ACT THREE ==
''INT. LARGE HOUSE – NIGHT''
A VAMPIRE with blood around his mouth enters. He sees the open doors to the YOUNG WOMAN’s room, walks into the room and looks around. He appears alarmed at finding it empty. A MAN speaks from the large room behind him.
MAN<br />
Finally.
The VAMPIRE’s teeth descend and he turns around. We see that the MAN is EDGAR.
EDGAR<br />
I'd run out of magazines. Quick question. Where's your boss?
The VAMPIRE rushes at EDGAR and raises an arm to strike him. EDGAR catches his hand and squeezes it. We hear the sound of bones breaking. The VAMPIRE groans and drops to his knees in pain.
EDGAR<br />
Let's try that again. Where is he?
VAMPIRE<br />
Go to hell.
EDGAR<br />
No. My neighborhood is worse than that.
EDGAR’s teeth transform into those of a vampire. He then takes on the rest of the VAMPIRE’s form.
EDGAR<br />
[in a deep, distorted voice] Missoula, Montana.
[in a normal voice] Was that so hard?
EDGAR backhands the VAMPIRE and there is the sound of flesh tearing.
''EXT. SUPERMARKET – DAY''
DEAN and SAM leave the store. SAM is carrying a bag of fresh vegetables and fruit.
DEAN<br />
I can't do this, man. I can't live on rabbit food. I'm – I'm a warrior.
SAM<br />
Dean, you'll be fine.
DEAN<br />
You don't know that.
SAM<br />
So what's next on the list?
DEAN<br />
Well, if we're bum-rushing the Alpha, then we're gonna need dead man's blood, which means a morgue. Or...
SAM<br />
Or what?
SAM follows DEAN’s gaze to a MAN sitting on a nearby bench, drinking from a large takeout cup through a straw.
DEAN<br />
Dude, forget the morgue. We are swimming in vamp poison.
SAM<br />
Excuse me, sir. Hi. We, uh, we're with the... Red Cross? See, we have an emergency shortage. [He holds up his FBI badge.] And we're gonna need you to...
The MAN looks vacantly at SAM.
SAM<br />
You're not getting a word I'm saying, are you?
DEAN<br />
Hey. [He snaps his fingers in front of the MAN’s face and sits down next to him.] Hold out your arm. We need your blood.
SAM<br />
Dude!
The MAN holds out his arm.
DEAN<br />
All right, Sam. [He takes a syringe out of his jacket pocket and hands it to SAM.] Tap the keg.
SAM<br />
Here?
DEAN<br />
Yeah, Sam, look around. It's friggin' Woodstock. Everybody's hopped up on the brown acid. We don't need the song and dance. Give him a little prick.
SAM takes the syringe. DEAN puts an arm along the bench behind the MAN, who smiles at him. SAM sits down on the bench on the other side of the MAN and pushes the needle into the back of the MAN’s hand.
MAN<br />
Oww! That hurts. [SAM draws blood.] This is for Hurricane Katrina, you said?
DEAN<br />
Yes. Yes, I did.
SAM<br />
So, look, uh... When we get there...
DEAN<br />
Yeah?
SAM looks at their car. The YOUNG WOMAN is in the back seat.
SAM<br />
Bobby's gonna have to hang back. Do you disagree?
DEAN<br />
He ain't gonna like it. I mean, he helped us in getting Emily.
SAM<br />
Look, I'm Team Bobby, too. Okay? But there's a reason we left him in the car with Emily. You know that. The more action he sees, the more chance he gets to spin out.
DEAN<br />
All right, fine. So, we'll keep him off the front lines, and he can just, you know, keep calm and carry on, right?
A police car drives slowly behind them. War's "Why Can't We Be Friends?" plays.
♪ I seen you walkin’ down in Chinatown ♪
SAM<br />
Well, and if he can't?
The police car siren blares. SAM hurriedly puts the syringe away.
♪ I called you but you could not look around ♪
♪ Why can't we be friends? ♪
♪ Why can't we be friends? ♪
The police car drives off. The MAN continues to slurp on his drink.
''CAR – NIGHT''
DEAN<br />
When they hauled you off to vamp camp, do you remember how long the drive was?
EMILY<br />
We left at night. Got in before dawn.
SAM<br />
So, six, seven hours?
EMILY<br />
I think so, yes.
SAM<br />
Do you remember any highways?
EMILY<br />
No. We only took back roads.
SAM<br />
Okay. So, figure they averaged 45 miles per –
DEAN<br />
Couldn't have been more than 300 miles.
SAM<br />
Right.
DEAN<br />
What direction were you going?
EMILY<br />
I don't know. I'm sorry.
SAM<br />
Oh, that's okay. Em, you're doing great. Um...is there anything else you remember?
EMILY<br />
Bells. As we pulled up, I heard these loud bells.
SAM<br />
It was still dark out?
DEAN<br />
You thinking church?
SAM<br />
No, that's too early. It could have been a monastery. Monks get up at 4 a.m. to pray.
DEAN<br />
Ugh. Can't get laid. Can't sleep in. A friggin' tragedy.
SAM looks something up on his phone.
DEAN<br />
Okay, so, Alpha's camping next to a, uh, monkey house. [He looks at SAM for his reaction.] How many we got in range?
SAM<br />
Looks like one. Just outside, uh...
They drive past a sign that says “Welcome to Missoula, Mt.”
''EXT. MONASTERY – NIGHT''
DEAN and SAM’s car is parked outside the monastery gates.
EMILY<br />
This is where he took me.
Someone appears to be patrolling the monastery grounds and another person is on the roof.
SAM<br />
Are you sure?
EMILY<br />
[nods] What now?
DEAN<br />
We'll get you someplace safe. Circle back and Ginsu these leeches.
''INT. MOTEL – DAY''
VOICE ON TELEVISION 1<br />
<i>...[indistinct] but she couldn't get it. </i>
VOICE ON TELEVISION 2<br />
<i>Yes, the famous Fleur-de-lis mansion. $125 million estate...</i>
EMILY is sitting on the bed watching television. DEAN is packing a duffel bag. DEAN walks over to SAM and holds out a syringe.
DEAN<br />
All right, here we go. 10 ccs of Vamptonite. [SAM gives him a look.] It's a thing.
EMILY<br />
What's a Kardashian?
DEAN<br />
Oh, that's, uh... just another bloodsucker. [EMILY looks worried.] No, it – it's... a joke.
DEAN walks over to the safe.
SAM<br />
Here. If we're not back by dawn, call this number – Jody Mills. She's a friend. [He gives EMILY a piece of paper.] She'll take care of you. Here, use this phone.
DEAN<br />
You gotta hang here. [He puts the flask in the safe.] For your own good. Capiche?
EMILY<br />
Sam? Thank you.
SAM<br />
You bet.
DEAN opens the door and it slams shut. He and SAM look at EMILY.
DEAN<br />
It was the wind. [quietly] Chill out, Bobby. We'll be back soon.
DEAN opens the door again and he and SAM leave the room. BOBBY is standing near the door inside the room.
CUT TO: SAM and DEAN in the motel hallway.
SAM<br />
Well, he didn't take <i>that</i> very well.
DEAN<br />
How'd you think he was gonna take it?
SAM runs into a cart being pushed by a maid.
MAID<br />
Excuse me.
SAM<br />
Sorry.
CUT TO: EMILY watching TV in the motel room. BOBBY is standing behind her.
VOICE ON TELEVISION 3<br />
<i>…right our way, and it’s bringing anywhere from, we’re going to say, about half an inch to an inch of rain before it’s finished, and, uh, and some pretty breezy conditions as well. So, tomorrow, we’re going to start off pretty much like we did today. We’re going to enjoy another stunning morning…</i>
EMILY crumples up the piece of paper SAM gave her and makes a call.
VOICE ON TELEVISION 3<br />
<i>…but don’t forget to grab that umbrella before you head out the door, because that rain is going to be coming down just in time I guess for your afternoon and evening. </i>
EMILY<br />
Hi, daddy.
VOICE ON TELEVISION 4<br />
<i>Now Gloria’s got something that’ll take our minds off …</i>
BOBBY<br />
Why, you little schemer.
EMILY<br />
No, I'm close by. Sending you a present.
GLORIA appears on the TV next to a Sucrocorp logo.
GLORIA<br />
<i>And that's Dick Roman. </I>
EMILY leaves the room.
GLORIA<br />
<I>Yesterday I introduced you to this rising star in American business. In this hour, we'll go behind the scenes and answer the question everyone's been asking for months – what makes Dick so hard to beat?</i>
VOICE ON TELEVISION 5<br />
<i>Well thank you, Gloria…</i>
BOBBY<br />
You son of a bitch.
''EXT. MONASTERY – DAY''
DEAN and SAM are sitting in the car outside the monastery gates.
DEAN<br />
Well, this time of day, most of them would be catching z's. They won't know what hit them. [SAM doesn’t respond.] Hey. You with me?
SAM<br />
Yeah.
DEAN<br />
But?
SAM<br />
Are you sure you just want to charge in there, machetes blazing? Last time, it took a dozen hunters to take down the Alpha. And most of them didn't make it out.
DEAN<br />
Yeah, well, you got a better idea?
CUT TO: SAM and DEAN walking up to the front door of the monastery.
DEAN<br />
Stupid, stupid, stupid.
SAM holds up a finger. They climb the stairs and SAM pushes on the front door, which is unlatched.
SAM<br />
Dean.
DEAN<br />
Maybe we're too late.
As SAM steps inside, someone grabs him from just inside the door.
DEAN<br />
Sam!
DEAN lunges after SAM. A vampire waiting behind the door grabs him.
''INT. MOTEL – DAY''
DICK ROMAN is speaking on television.
DICK ROMAN<br />
<i>You know, where I'm from, you have to bite and claw your way to the top. Once you get there, trust me, the view's incredible.</i>
BOBBY is trying to open the safe.
DICK ROMAN<br />
<i>I’ve got a lot to show the American people.</i>
BOBBY<br />
Okay, Dean's birthday.
DICK ROMAN<br />
<i>…Gloria, that will really put what we’re talking about in perspective…</i>
BOBBY<br />
Sam's birthday.
DICK ROMAN<br />
<i>I’m making some very big moves right now, risking...</i>
The television shows DICK ROMAN and SUSAN walking past a sign that says “We’re in everything.”
BOBBY<br />
Damn it!
A lamp flies off the bedside table, a drawer opens, the light bulb in another lamp shatters, the mirror cracks and a fire roars in the fireplace and the bathroom door slams. Someone knocks at the door.
BOBBY<br />
Son of a bitch.
MAID<br />
Everything okay in there?
BOBBY<br />
<i>My</i> birthday.
The MAID enters.
MAID<br />
Hello?
The MAID crosses her arms, looking cold. Her breath is visible. She turns and jumps as BOBBY materializes.
BOBBY<br />
I need your help.
MAID<br />
Get away from me.
She turns in the other direction, but BOBBY materializes in front of her again.
BOBBY<br />
Listen, I need out of here.
MAID<br />
Please!
The MAID runs for the door. BOBBY lunges after her and possesses her. The MAID falls to the ground. She sits up slowly and brushes away dark liquid which runs from one of her eyes.
MAID<br />
[in a deep voice] Just need you a little while.
The MAID gets up and walks across the room. Reflected in the broken mirror, we see BOBBY opening the safe. The camera angle then changes to the MAID opening the safe, then back to BOBBY reflected in the mirror removing the flask, then back to the MAID. The MAID leaves the room.
MAID<br />
[in a deep voice] Just till I get the bastard.
''INT. MONASTERY – DAY''
We see a close-up of a man’s hand with very long fingernails. It belongs to the ALPHA VAMPIRE, who is sitting at the head of a dining table. SAM and DEAN are brought into the room by two VAMPIRES and stand at the other end of the table with the VAMPIRES behind them.
ALPHA VAMPIRE<br />
The Winchesters. I'm intrigued.
EMILY enters the room.
SAM<br />
Emily.
EMILY walks over to lean on the ALPHA VAMPIRE’s chair.
EMILY<br />
Hi, Sam.
DEAN<br />
Wow. For a girl raised in a basement, you're a hell of an actress.
EMILY<br />
You were gonna hurt my daddy.
ALPHA VAMPIRE<br />
Hmm.
DEAN<br />
Wow. You get a trophy in Stockholm Syndrome. And sorry to burst your bubble, but, uh... we weren't. Sam here had a better idea.
SAM<br />
We're here to talk. That's it.
ALPHA VAMPIRE<br />
[laughs] Now that my guys have taken your blades and your syringes of tainted blood. Is that what you mean?
DEAN<br />
Well, we, uh... figured you might hold a grudge.
ALPHA VAMPIRE<br />
And why would I? Because you captured me, tortured me, sold me to the king of Hell?
DEAN<br />
That was more our grandpa.
The VAMPIRE standing behind DEAN grabs DEAN and slams his head against the table. DEAN falls to his knees and grunts as he gets back up.
DEAN<br />
Thank you. That was awesome.
ALPHA VAMPIRE<br />
I'm going to peel off your faces and drink you slowly.
SAM<br />
Just listen. You <i>need</i> us.
ALPHA VAMPIRE<br />
Oh, yes. I am <i>thirsty!</i>
SAM<br />
The plague! We know what it is! What do you know about Leviathan?
ALPHA VAMPIRE<br />
A bit.
SAM<br />
You know they're poisoning the food supply?
ALPHA VAMPIRE<br />
Roman didn't mention that when we met for dinner last fall. We made lots of plans. We are on excellent terms, he and I.
DEAN<br />
You sure about that? Did he mention that he was going to... Maui wowie the human population?
ALPHA VAMPIRE<br />
Oh, of course. He said grabbing a snack would be easier than ever.
SAM<br />
He said you'd all live together, didn't he? You really believe him? You think your children are dying by accident? There is pesticide in the formula!
ALPHA VAMPIRE<br />
It suits you to think so. You need me on your side.
SAM<br />
Look, we're not the ones burning from the inside out. Think about it. Whatever deal he made with you was crap! Trust us!
ALPHA VAMPIRE<br />
Why are you telling me this?
SAM<br />
Because we can stop Dick. Stop all of it. We just... We need your blood – for the weapon.
ALPHA VAMPIRE<br />
[laughs] So now you want to prevent the extermination of the vampire race.
DEAN<br />
No. But it beats going down with you.
There is the sound of a door opening.
ALPHA VAMPIRE<br />
Allan, darling...
A young boy walks towards the ALPHA VAMPIRE.
ALPHA VAMPIRE<br />
Come.
ALLAN stands on the other side of the ALPHA VAMPIRE’s chair to EMILY.
DEAN<br />
Well, the creep gets creepier.
ALPHA VAMPIRE<br />
What's wrong?
ALLAN<br />
Edgar's here.
DEAN and SAM look at each other. The ALPHA VAMPIRE touches ALLAN’s jacket in dismissal and ALLAN leaves.
DEAN<br />
Wow, what a funny coincidence. All right, we need soap, uh, cleanser, anything with borax in it. We need knives.
ALPHA VAMPIRE<br />
Put them in the study.
SAM<br />
What? No. No, wait.
ALPHA VAMPIRE<br />
Word of advice, boys. You do not live through centuries of fire and ice and continental divide... by jumping to conclusions.
The VAMPIRES push DEAN and SAM towards the door.
DEAN<br />
Okay. Whoa, whoa, whoa.
SAM<br />
You're making a mistake! Listen! Wait!
ALPHA VAMPIRE<br />
[to EMILY] Never hurts to get the story first.
CUT TO: SAM and DEAN being pushed into the study.
DEAN<br />
Hey. Hey!
A vampire closes the door.
DEAN and SAM look around the study. Bags of blood are in a refrigerated cabinet. Empty bags hang from medical stands.
CUT TO: A vampire placing a bottle of wine in a chilling bowl on the dining table, which is now set for dinner. EMILY is standing next to the ALPHA VAMPIRE at the head of the table. EDGAR walks into the room and stands at the foot of the table near several drops of DEAN's blood.
ALPHA VAMPIRE<br />
Edgar. I would've whipped you up a meal. Please, sit. I'm dying to know why you're here.
EDGAR<br />
I think you know.
ALPHA VAMPIRE<br />
And how is that?
EDGAR<br />
I smell Sam and Dean Winchester.
== ACT FOUR ==
''INT. MONASTERY – DAY''
DEAN tries to open the locked door of the study.
DEAN<br />
Anything?
SAM<br />
Nothing.
SAM is looking at the windows.
SAM<br />
You think Edgar's here for the same reason we are? I mean, look, if they figured out that we're here to get Alpha blood for a weapon...
DEAN<br />
I think any way you slice it, you got Pac Man and True Blood in the same room and that's bad news. I mean, he's not stupid. Why the hell do you think he locked us in here?
SAM<br />
Dean, we're his enemy. I mean, they're like monster cousins or something. Who would you give the benefit of the doubt to? Man, you know what? Maybe the Sucro <i>is</i> poisoning the vamps on accident. Maybe they'll fix it.
DEAN<br />
I think you got the oldest monster on earth thinking that he can hold his own because he always has.
SAM<br />
Edgar's gonna eat him alive.
DEAN<br />
Yeah. Hey. [He holds up a needle that’s attached to one of the empty blood bags.] You think you could pick a lock with this?
SAM takes the needle.
SAM<br />
But, Dean... We gave up all our Vamptonite.
DEAN<br />
Did we?
DEAN takes a syringe out of his boot.
CUT TO: the dining room.
ALPHA VAMPIRE<br />
Do you want the boys? Yes? You're welcome to them. I'll have them sent out.
EDGAR<br />
How kind of you.
ALPHA VAMPIRE<br />
Oh, Edgar... You do know why Sam and Dean are here, don't you? They insist that you're exterminating us, and I thought, well, that's... impossible. Must be a mistake.
EDGAR<br />
You're right. Of course.
CUT TO: DEAN and SAM coming down the stairs. At the bottom of the stairs, a VAMPIRE grabs SAM from behind. DEAN plunges the syringe into the VAMPIRE’s neck. The VAMPIRE screams and his flesh starts to burn. He falls to the ground and dies.
DEAN<br />
Wow.
SAM<br />
Vamptonite.
DEAN<br />
Friggin' vamptonite. All right, we need knives. There's got to be a prep room or a kitchen somewhere. Come on.
CUT TO: the dining room.
ALPHA VAMPIRE<br />
Here's what I don't understand, Edgar. You are aware that your little additive has side effects, yes?
EDGAR<br />
Dick warned you there might be kinks.
ALPHA VAMPIRE<br />
Yes. He also said he'd be in touch. My children are in a panic. You don't call, you don't write, you don't send cookies. Where exactly on the list is fixing our plague?
EDGAR<br />
My dear friend... nowhere. We <i>want</i> you to burn like the little roaches you are.
EDGAR puts a hand on the ALPHA VAMPIRE’s shoulder. The ALPHA VAMPIRE pushes him backwards.
ALPHA VAMPIRE<br />
Roman said if I kept quiet, I would get my reward.
EDGAR<br />
And now you get to lay down and die. Nothing personal. Our additive kills the wolves, too... the shifters, and those disgusting little things that eat corpses. Anything with a taste for human. Except us. Mankind's a limited resource, after all.
ALPHA VAMPIRE<br />
[advancing on EDGAR] There are seven <i>billion...</i> of them.
EDGAR<br />
Only seven.
EDGAR pushes the ALPHA VAMPIRE so that he falls against the table. EMILY screams. The ALPHA VAMPIRE stands up.
ALPHA VAMPIRE<br />
We come from you.
EDGAR<br />
Barely.
ALPHA VAMPIRE<br />
I am the son of Eve!
EDGAR<br />
A pathetic mutt. Hardly one of us. I knew Eve, and honestly... your mommy was a whore.
The ALPHA VAMPIRE’s teeth transform and he lunges at EDGAR, pushing him into the wall. He grabs the chilling bucket from the table and tosses the contents at EDGAR. EDGAR’s skin starts to sizzle and burn, but he straightens up and punches the ALPHA VAMPIRE.
EDGAR<br />
Don't squirm. I need every last drop.
EDGAR’s face transforms. DEAN advances on him from behind. EDGAR turns to face DEAN, his face returning to normal. He catches DEAN’s arm, knocking the machete DEAN was holding to the ground. EDGAR grabs DEAN’s lapels. SAM cuts off EDGAR’s head from behind.
DEAN<br />
Grab a glass. We're juicing this freak.
EMILY<br />
No!
DEAN<br />
Stay back!
The ALPHA VAMPIRE sends DEAN flying over the table.
ALPHA VAMPIRE<br />
Leave her alone. She's been through quite enough.
SAM<br />
Now, that's rich... coming from the guy who took her off the swing-set.
ALPHA VAMPIRE<br />
Do you want to do this fight? Or do you want my blood?
The ALPHA VAMPIRE sits down at the head of the table and slices his wrist with one of his long fingernails. He lets his blood drip into a glass, then rises and offers the glass to SAM.
ALPHA VAMPIRE<br />
For taking care of Edgar. Now go.
SAM<br />
What about the little boy?
ALPHA VAMPIRE<br />
Are you joking?
DEAN<br />
Do we look like we're joking? How many other kids you got in here, you freak?
ALPHA VAMPIRE<br />
At the moment, just him. Emily... help Allan with his coat. He's leaving with Sam and Dean. Now, take it.
SAM takes the glass and he and DEAN walk towards the door.
ALPHA VAMPIRE<br />
What? No "thank you"? Oh, right, right. Your flesh is crawling. All you really want to do is kill me now. You hate having to wait and come back and try again.
DEAN<br />
Pretty much. I wouldn't leave that head too close to that body for too long.
ALPHA VAMPIRE<br />
See you next season.
DEAN<br />
Looking forward to it.
''INT. MOTEL – DAY''
DEAN and SAM are walking down the hallway.
DEAN<br />
Let's never do that again. Cops thought we took that kid.
SAM<br />
Long as he gets back to his folks, I don't care what they thought.
DEAN<br />
We had to jump out a freakin' window, man.
DEAN sees that the door to their room is ajar. He and SAM take out their guns. DEAN opens the door and turns on the light. He sees the cracked mirror.
DEAN<br />
Bobby. Bobby?
SAM<br />
Dean? [He shows DEAN the open door of the safe.] He's gone.
== ACT FIVE ==
''INT. MOTEL – DAY''
SAM<br />
I'm getting trace bits of EMF, but it's fading fast. And Bobby's probably been gone three or four hours. He's got the flask, Dean. How the hell are we supposed to track him? Look, I hate to say this...
DEAN<br />
Well, then don't. He's gone. [He laughs briefly and sighs.] How could he do this... now? I mean, we've got half the freakin' weapon, we're almost there.
SAM<br />
It's not him. I mean, he's not thinking.
DEAN<br />
So, what, we just keep going while he's out there like this?
SAM<br />
Do we have any other option? I mean, it's what he'd want us to do. Right?
DEAN<br />
Yeah. Yeah, him and Frank and Cas, if his marbles were in the bag. It's a good thing we got Crowley in our corner. Right? Seeing as how it all comes down to him. What could possibly go wrong?
''INT. SUCROCORP OFFICE – DAY''
DICK ROMAN tosses a lit match into a bowl with candles on either side. CROWLEY appears.
CROWLEY<br />
Hello... [He looks up and the large light fixture above him changes to a devil’s trap] Dick.
DICK ROMAN<br />
Mr. Crowley, we have so much to talk about. Take a seat.
END
