Dean's Amulet

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Marie: You never should have thrown this away.
Dean: It never really worked. I don't need a symbol to remind me how I feel about my brother.

Dean Winchester and Marie, 10.05 Fan Fiction

Dean gets his amulet back from Sam in 4.01 Lazarus Rising.

The History of the Amulet

In a flashback we find out that eight-year-old Sam obtained the amulet from uncle Bobby, who said it was "real special."[1] Supernatural: Bobby Singer's Guide to Hunting states that Bobby got it from "a woman in Tampa who said it was a protective charm." Sam intends it as a Christmas present for John, but when John doesn't make it home for Christmas, and after finding out that John has lied to him about his mother's death and hunting, Sam decides to give Dean the amulet.

Sam: Here. Take this.
(holding out the wrapped gift to Dean)
Dean: No. No, it's for Dad.
Sam: Dad lied to me. I want you to have it.
Dean: You sure?
Sam: I'm sure.
(Dean opens the wrapping to reveal the amulet)
Dean: Thank you Sammy, I... I love it.

After the airing of this episode, the fandom nickname for the amulet became the Samulet, since it was given to Dean by Sam and symbolizes their love.

Dean wears the amulet from this time on, as shown in both pre-series flashbacks and every episode of seasons 1-4. When Dean is resurrected from Hell in 4.01 Lazarus Rising, Sam is wearing it and gives it back to Dean. In 5.02 Good God, Y'All, Castiel reveals that the amulet is very powerful, that it will "burn hot in God's presence," and that he wishes to use it in his search for God. Dean very reluctantly hands it over, remarking that he "feels naked" without it.

In the episode 5.16 Dark Side of the Moon when Sam and Dean find themselves in Heaven, Joshua reveals that God is disinterested in helping to stop the Apocalypse and that the amulet will not help them find Him. Castiel returns the amulet to Dean, saying "it's worthless." As Sam is trying to reassure Dean that they can still stop the Apocalypse, Dean leaves the motel room, dropping the amulet into a wastebasket on the way out.

A replica Samulet appears in the musical in 10.05 Fan Fiction written by Robbie Thompson. After Marie says Dean should never have thrown it away, he states "I don't need a symbol to remind me how I feel about my brother." However, at the end of the case, when she gives it to him, he keeps it and hangs it from the Impala's rearview mirror (though it is only shown there for this one episode). It is later seen in Sam's Memory Box in Robbie Thompson's next episode, 11.11 Into the Mystic.

In 11.20 Don't Call Me Shurley, God, in the form of Chuck Shurley shows Metatron the amulet, telling Metatron that he'd never believe where it's been the whole time. God reveals that he shut off the amulet's ability to detect him so the Winchesters and Castiel couldn't find him. At the end of the episode, Dean pulls the amulet out of Sam's pocket. According to the script of this episode written by Robbie Thompson, which explicitly refers to the amulet by the fandom name "The Samulet," Sam retrieved the amulet after Dean discarded it in 5.16 Dark Side of the Moon, and had carried it "all these years. This whole damn time." The amulet is glowing, and it finally leads them to God. In the next episode, Dean puts it in his pocket after God transports them back to the Bunker.

Dean subsequently keeps possession of it, even in death, and has it hanging from the Impala's rearview mirror in 1.01 Pilot (The Winchesters) as he drives off. However, there's no sign of it in 1.13 Hey, That’s No Way to Say Goodbye when the Monster Club pulls the Impala out of Joan Hopkins portal and uses the car to kill her.

Speculation on the Meaning of the Amulet

Detail of the amulet.

Since the beginning of the show there has been much speculation about the amulet's significance in terms of mythology or magic. Fans were asking Eric Kripke, and Jensen, about the amulet's significance from the beginning of the series. At the William S. Paley Television Festival panel in March 2006, Kripke hinted that the amulet was more than just a piece of jewelry:

Audience member: Dean always wears a certain necklace. Does it mean anything?

Jensen: You’re gonna hang me out to dry on this one?
Eric: Oh yeah.
Jared: Mwahaha.
Jensen: It does have significance but we can’t talk about it.

John Shiban: It’s from Sacramento.

In a behind-the-scenes Supernatural special, Jensen Ackles (Dean) calls the amulet his character is wearing an "Egyptian safety symbol."

After the revelation in 3.08 A Very Supernatural Christmas, that the amulet was a gift to Dean from Sam, the most obvious meaning of the amulet is as a symbol of the bond between Sam and Dean. For this reason some fans refer to it as the Samulet.

Fans continued to press for more information. In an interview with Eclipse magazine:

Q: In the Christmas episode, it was shown that the amulet that Dean wears originally came from Bobby. Why hasn’t anyone asked Bobby all these years what that amulet is all about?
Eric: In my mind, I think they know what it is and what it can do but we haven’t revealed that to the audience yet. There is a little extra mojo to it but we’re saving that card for just the right moment. I think the boys know, but it just hasn’t come up in their direct cases yet.

From Jensen in the Supernatural: The Official Companion Season 5:

The amulet never really had a definitive purpose starting out. In choosing Dean's look, in the very beginning, Eric Kripke and myself agreed that Dean would have accoutrements about him; things that he'd picked up along the way - medallions or trinkets to ward off ghosts or keep his soul intact and all that stuff. The writers built the story that the amulet came from Sam at an early age, which I thought was cool, because it gave it some purpose.

Castiel later reveals that the amulet is very powerful and that it "burns hot in God's presence".[2] Sera Gamble says that they nearly had another amulet in the role of "God-finding amulet" but decided to use it as an opportunity to be more specific about the powers of the amulet.S5Com

During their time in Heaven, Joshua reveals that God is disinterested in further helping to stop the Apocalypse and that the amulet will not help them find Him.[3] God Himself later tells Metatron that he had shut off its ability to detect him.

Jensen was pleased to get rid of the amulet, saying "The thing was heavy... it's a solid piece of brass. I would forget to change it out with the rubberized one every now and again when I was doing stunts and I've lost chips of my teeth from the horns hitting my mouth. After four seasons of wearing it around my neck I was glad to get rid of it."S5Com

Coming full circle, at the 2011 Paleyfest Kripke was asked whether the amulet would return. "There are no plans for it to return," Kripke said. "Actually the contract negotiations with the amulet... that amulet is a diva. We wish it well—it's actually doing a guest spot on One Tree Hill."

Where's the Amulet?

  • It is not visible on the Season 1 DVD, Season 2 DVD, Season 3 DVD, or Season 4 DVD covers.
  • The shapeshifter wears the amulet when it is impersonating Dean. Dean retrieves it when he kills the monster.[4]
  • After a demon-possessed truck driver hits the Impala, Dean does not have the amulet on while in the hospital.[5]
  • Dean is not wearing the amulet (or his ring) before his arrest, obviously anticipating his personal belongings will be confiscated in prison.[6]
  • In an alternate reality created by a djinn, Dean wears a gold chain with a small pendant rather than his amulet. (The necklace appears to be a Saint Christopher medallion.)[7]
  • In a flashback to Christmas in Broken Bow, Nebraska, in 1991, it is shown that Bobby somehow came across and retrieved the amulet and he wanted Sam to give it to John as a gift, but Sam gives it to Dean instead since John never shows up to celebrate Christmas. (3.08 A Very Supernatural Christmas)
  • In the four months between 3.16 No Rest for the Wicked and 4.01 Lazarus Rising, Sam kept the amulet. He is wearing it when he takes it off and returns it to Dean in 4.01 Lazarus Rising.
  • We see Dean take the amulet off when he makes love to Anna in the Impala—probably because getting hit in the head by a lump of brass would spoil the mood.[8]
  • In flashbacks, young Dean is shown wearing the amulet during high school.[9]
  • Dean gives the amulet to Castiel to help him find God.[2] Castiel says it is "Very rare, very powerful. It burns hot in God's presence. It'll help me find him." This is contradicted by Joshua who says it won't help them find God.[3] Castiel returns the amulet to Dean and, in turn, Dean drops the necklace into a wastebasket.
  • Future!Dean was shown not wearing the amulet in the year 2014.[10]
  • In a flashback to an exorcism set in season three or season four, Dean wears the amulet.[11]
  • The amulet is briefly visible in a flashback to 1995.[12]
  • Dean is seen wearing the amulet in a flashback to June 21st, 2003.[13]
  • While Dean doesn't retrieve the actual amulet, he gets a wooden prop version and hangs it on the mirror of the Impala as a symbol of his and Sam's re-strengthened relationship.
  • The wooden prop version of the amulet can be seen in Sam's Memory Box in 11.11 Into the Mystic.
  • While talking to Metatron, God pulls the amulet out of his pocket and tells Metatron "you'll never believe where it's been," but Metatron interrupts God before he can tell him where it was. Later, after God reverses the Rabid infection, Dean pulls the amulet out of Sam's pocket; it's glowing and it finally leads them to God. After getting teleported to the Bunker, Dean put the amulet into his own pocket.
  • It is currently in the Men of Letters Bunker in the possession of Sam and Dean.
  • In a flashback to January 1993, young Dean is wearing the amulet.[14]
  • Hanging from the Impala's rearview mirror as Dean drives away.[15]


Speculation on Mythological roots of the amulet

  • The amulet depicts a humanoid head with bull-like horns (pointing upwards), rather than ram-like horns (pointing down).
  • The stylistic elements don't appear to be typically Egyptian.

Bull gods or gods with horns exist in a variety of cultures and religions. Some examples include:

Apis Bull (Egyptian)

The Egyptian Apis Bull, which is most commonly depicted with a white triangle on its forehead. Egyptian gods are usually depicted with a human body and an animal head, while Dean's "Egyptian symbol" shows a human face with a bull's attributes.

The Mesopotamian Bull-man.

Bull-man (Mesopotamian)

According to Mesopotamian mythology, the Bull-man is a demon. He is a man above the waist and a bull below the waist. He also has the horns and the ears of a bull.

The Bull-man helps people fight evil and chaos. He holds the gates of dawn open for the sun god Shamash and supports the sun disc. He is often shown on cylinder seals. (source)

Further info:

Hathor (Egyptian)

Hathor, a female cow deity of the Egyptians (both male and female cattle of some species have naturally-occurring horns). She is sometimes depicted as having the head of a cow; but as the goddess became more associated with cows, depiction of Hathor grew to include a human face with cow's ears and horns. Against Egyptian artistic norms (Gods and people were typically depicted in profile), Hathor began more often to be portrayed in a portrait style so that the whole of the face could be seen.

In addition to her role as a fertility and women's goddess, she also represents love, joy, music and drink. She was also known for protecting young female entertainers. Hathor appears to share many similarities with the Egyptian goddess Bat, and may be a later or concurrent incarnation of that deity. There is some disagreement within Supernatural fandom as to the likelihood of the amulet being one sacred to Hathor, or that Dean would wear such an amulet. Some believe that the face on the amulet appears stylistically more male than female.

Further info:

Mithras (Zoroastrian)

Mithras (Mitra or Mitras) was a Zoroastrian god. He is often shown slaying a sacred bull.

Mithra is not present in the Gathas of Zarathustra (Zoroaster), but appears in the younger Yashts of the Avesta (Campbell p 257). There, Mithra comes to the fore among the created beings. "I created him", Ahura Mazda declares to Zoroaster, "to be as worthy of sacrifice and as worthy of prayer as myself" (Campbell, loc. cit.). In the Yashts, Mithra gains the title of "Judge of Souls" and is assigned the domain of human welfare (which he shares with the Creator). Mithra occupies an intermediate position in the Zoroastrian hierarchy as the greatest of the yazatas, the beings created by Ahura Mazda (Ormuzd in later Persian) to aid in the destruction of evil and the administration of the world. He is then the divine representative of the Creator on Earth, and is directed to protect the righteous from the demonic forces of Angra Mainyu (Ahriman in later Persian). (WIKI)

Interestingly, as the amulet was a Christmas present, December 25th was originally the date of the celebration of Mithras' birth rather than that of Jesus, but the celebration was co-opted by the Christian Church.

In the Roman Empire, the Mithras-Cult was a cult very popular among soldiers.

Other Horned Gods

Other representations of "horned gods" appear within various ancient religions. Such figures include the Celtic Cernunnos and the Greek god Pan. Another possible inclusion is the Minoan Minotaur.

The image of a horned man or god appears to have held ceremonial or religious significance as early as the Old Stone Age as depicted in a Paleolithic cave painting known as "The Sorcerer".

Specifically, the image of the pendant could be seen to appear similar to a well known representation commonly accepted to be Cernunnos on the Gundestrup Cauldron. Though the original was made from silver, recreations of the image are commonly cast in bronze. A very similar depiction, found on a seal in the Indus Valley connected to a Hindu figure Pashupati, seems to bear the horns of a bull as the amulet does.


On occasion, these representations bear similar associations with animals, nature, fertility, and the primordial wild. Sometimes, the association is also extended to hunting.

Further info:

Possible Connection to Joseph Campbell's Hero's Journey

Plate from The Hero with a Thousand Faces.

This plate appears in Joseph Campbell's The Hero with a Thousand Faces, which documents his Hero's Journey. This theory has been acknowledged by Eric Kripke and other creators of Supernatural as being highly influential to the narrative arc of the show.

The note for the plate reads: The Monster Tamer (Sumer) Shell inlay (perhaps ornamenting a harp) from royal tomb at Ur, ca. 3200 B.C. The central figure is probably Gilgamesh. (Courtesy of The University Museum, Philadelphia).

It is the first plate in the 1993 edition printed by Fontana Press in Great Britain. It appears after p.168.

The concepts of heroism and the heroic figure, such as this image, can be found in Sumerian culture in forms not seen in earlier incarnations. This is due to the ways the concept of 'good versus evil' was changing. This change resulted, as detailed in the excerpt below, with the rise of Zoroastrian dualism as a method of thought.

Persian mythology is rooted in the common Indo-European system that was carried out of the Aral-Caspian steppes into India and Iran, as well as into Europe. The principal divinities of the earliest sacred writings of the Persians correspond very closely to those of the earliest Indian texts. But the two branches came under greatly differing influences in their new homes, the Vedic tradition submitting gradually to Dravidian Indian forces, the Persian to Sumero-Babylonian.

Early in the first millennium BC, Persian belief was reorganized by the prophet Zarathrustra (Zoroaster) according to a strict dualism of good and evil principles, light and dark, angels and devils. This crisis profoundly affected not only the Persian, but also the subject Hebrew beliefs and thereby (centuries later) Christianity. It represents a radical departure from the more usual mythological interpretation of good and evil effects proceeding from a unique source of being that transcends and reconciles all polarity. (ibid, p.348n)

See also