Changes

It gives the director and the DP (Director of Photography) more freedom, and also gives the camera operators like Brad Creaser and Brian Rose the ability to know that if they set something up that’s a little bit more technically challenging, the guys will be there when they come over. You get a really visual story with them in the frame, which is great. <br><br>

'''Kevin:''' Every time I seemed to go outside on my location days, it started to rain. When we were inside there was no rain at all, it was nice. As soon as you go outside and you call for first team, it starts to rain. And one day I had this one scene set up, it was scripted outside completely, so I had it all nicely worked out, as soon as Jared was finished off, I called in first team, and a driving rain and gale-force winds came in. I still needed some part of it to be outside but I was just watching the tents fly, rain started to fall. It was like, okay, what can I do here? And within ten minutes, this is where the AD side of me comes in, thinks it through, and with the directors side going…I've to keep them out of the wind and rain because you can’t have people trying do a sensitive scene when their hair is blowing horizontal. <br><br>

'''Kevin:''' The only thing I’ve seen right now is dailies. I talk with the editor probably every couple of days about how things are going and the things I want to see. The shots are in my head, so I know what cutting order I want to do it. So I talk to him a little bit to help streamline that process. I won’t see anything until Saturday morning when I get to L.A.